26
Oct
09

And who are you supposed to be?

don-betty-photosLet me be the millionth person to comment on the magnitude of last night’s episode of Mad Men. Betty’s long-awaited confrontation with Don regarding his past was handled even better than I’d imagined and I have immense regard for the show’s writers. Don’s reaction — a painfully realistic emotional/physical crumpling — was pitch perfect. The subsequent scenes between Jon Hamm and January Jones were exceptionally nuanced. (I don’t remember seeing such powerful TV couple interaction since Edie Falco confronted James Gandolfini on The Sopranos. But MM, of course, is way more subtle.)

To push the suspense/unease even further, we were kept wondering about Miss Farrell (Suzanne, actually. Was one of the writers a New York City Ballet fan?), who is waiting in Don’s car during the Big Confrontation.  We finally see her walk dejectedly home with her suitcase.

There were other noteworthy aspects of the episode including a surprisingly scruple-filled Roger Sterling, who turns down the advances of an old flame/possible client because he is happily married (!), and some great scenes between Joan and her loser husband (whose dad, we and Joan find out, had a nervous breakdown. Um hmm.) When a defeated Greg whines, “You don’t know what it’s like to want something your whole life, plan on it and not get it,” she throws a vase at his head in exasperation. Yes! He then joins the Army as a surgeon which makes both of them happy. Not bad for us, either, since Vietnam is looming and Joan would make a lovely widow.

And the ending, with chastened Don accompanying Bets and the kids on their trick-or-treating rounds, was equally strong. Sally and Bobby are dressed as a gypsy and a hobo, respectively. “And who are you supposed to be?,” a neighbor asks Don. Cut to end credits accompanied by the plaintive “Where is Love” from Oliver!, the ultimate orphan story.  Two more episodes left!

(photo: AMC)

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